2014.12.18-2015.5.31
Long Museum West Bund
Venue: Gallery 3B, Long Museum West Bund
Curator: Lu Jing
The twentieth century was one of the most active periods in art history. The co-founder, director of the Long Museum, Mrs Wang Wei has started the collecting of works in this period since 1990s. By this year the museum collection represents art in the twentieth-century through more than 910 pieces(sets)by artists from all of the world. Since June 2014, the Curatorial Research Department started the research on the museum collection from the perspectives of case study and the feather discussion, which will be presented in a variety of ways such as exhibition and publication.
Twentieth-Century Art from the Long Museum Collection I Shanghai Art Scene, the first presentation of the feather discussion on the twentieth-century art from the museum collection curated by Lu Jing, will be put on display in Gallery 3B of Long Museum West Bund from December 18th, 2014 to June 30th, 2015. The exhibition presents a picture of the art scene in twentieth-century Shanghai through the museum collection and archives.
The first part of the exhibition will show those works reflecting the development of Shanghai. Works like TAO Lengyue’s Fuxing Park(1957),YANG Keyang’s Shanghai Documentation(1988) shows for the first time since the museum’s opening. The other part will focus on those active member artists of artistic societies and associations in early twentieth-century Shanghai. The works and archives related to their life and art practice will bring the visitors closer to the art scene during that period. Those artists include YANG Qiuren and One One Art Society (yiyi yishe), XU Xingzhi who as a major founder, established the Time Art Society (shidai meishushe) in February and was chosen as the chairman of the League of Left-wing Artists in the August. A more radical artistic society, the Storm Society (juelanshe) was established by PANG Xunqin, WANG Jiyuan and NI Yide in September 23th, 1931. As one of the most represented art societies in early twentieth-century Shanghai, their members have strong sense of responsibilities. Their manifesto was a cry of despair about the present state of art, and of hope for the future: “We want to use the new art to express the spirit of a new era”.
Tour Guided
Free Open Day Tour
Admission Free. No reservation is required.To participate: meet in front of the reception desk at the museum lobby.
2015/1/6 10:30 - 12:00 15:00 - 16:30
2015/2/3 10:30 - 12:00 15:00 - 16:30
Exhibition tour guided by the curatorial and research department
Admission Free. No reservation is required. To participate: meet at the entrance of the gallery 3B. Chinese and English.
2014/12/20 10:00 - 11:00 2015/3/21 13:00 - 14:00
2015/5/30 13:00 - 14:00 2015/6/27 13:00 - 14:00
Lecture
Chen Yanqiao and Lu Xun
Speaker: Le Rong
Venue: Multi-Function Space, Long Museum(West Bund)
Time: 14:00 - 16:00, January 24th, 2015
Language: Chinese with English Translation
In 1930s, Lu Xun made outstanding contributions to promoting healthy development of new woodcut in China. He edited albums, organized "woodcut seminar", hosted woodcut exhibitions and kept in contact with artists closely. In this lecture, Le Rong will discuss Chen Yanqiao’s life and works, specifically his friendship with Lu Xun, along with the Modern Chinese Left-wing Culture.
About the speaker: Le Rong, researcher, associate director of Lu Xun Museum, Shanghai, director of the Chinese Lu Xun Institute, associate director of Chinese Literary Museum Professional Committee, member of the expert database of Ministry of Culture, member of Shanghai Heritage Museum Intermediate Title Validation Committee, master instructor of Fudan University.
*Admission free. Reservation required. Please visit the website.
Ticket Price: 50RMB/person
Concessions: 50% discount for seniors over 70, teachers and college students with valid certificates;
Free Ticket: Middle school and primary school students, soldiers and person with disability.
Group Ticket: 10% discount for groups with 20 or more persons ( This cannot be used in conjunction with other preferential terms)